The music of an award-winning composer, Polina Nazaykinskaya, a native of Togliatti, Russia, has become a staple of orchestral, chamber and solo repertory in the United States, Russia, and Europe. Her first symphonic poem “Winter Bells” is in high demand every season by orchestras such as The Minnesota Orchestra and The Russian National Orchestra among others. Her latest symphonic poem “Fenix”, commissioned by The Albany Symphony is programmed for multiple performances in the 2021-2022 concert season. This season Polina`s music will be performed by The Eastern Connecticut Symphony Orchestra, The Salina Symphony, The Florida Orchestra, Orchestra of the Southern Finger Lakes,  The Metropolitan Symphony Orchestra and The Portland Youth Philharmonic. In October 2021 Polina`s recent ballet "Reverse Perspective" will be performed at the Pushkin State Museum of Fine Arts in Moscow and the Jaani Kirik in Saint-Petersburg. In January 2022 the San-Francisco ballet will be premiering a new piece based on Polina`s composition “The Rising”, choreographed by Yuri Possokhov. In Spring 2022 MorDance will be premiering Polina`s new ballet “Encounters” at Symphony Space in New York City.  

Polina’s collaborators include internationally renowned choreographers Pascal Rioult, Jonah Bokaer, and Ulyana Bochernikova. Polina works closely with the world’s leading conductors, such as Osmo Vänskä, Teodor Currentzis, Fabio Mastrangelo, Sarah Hicks, Toshiyuki Shimada, Lawrence Loh, and Hannu Lintu. Polina’s compositions are actively performed by internationally acclaimed soloists such as trombonist R. Douglas Wright, violinist Elena Korzhenevich, and pianist Olga Kirpicheva.

With her larger chamber music works, Polina frequently turns to the tragedy of humanity’s collective history, in particular the Holocaust. Her work “Haim”, is performed annually around the world and has become an important ensemble composition of the second decade of the 21st century.

Starting Fall 2021 Polina is named the Philharmonic Orchestra Conductor of the GCTYO. Prior to her current position, she has led The British Youth Music Theatre, RIOULT Dance NY, The University of Southern Mississippi Orchestra, and The Russian Youth Symphony Orchestra.

Over the past decade, Polina formed a creative alliance with an award-winning pianist and librettist Konstantin Soukhovetski, with whom they have premiered many works of diverse genres, from solo piano to ballets. Currently, they are working on an opera, commissioned by Opera Mississippi to commemorate the company’s 75th anniversary and to be premiered in 2023.

Polina’s unique musical language embodies the diversity of multi-cultural education. She graduated from the Tchaikovsky Conservatory College in Moscow as a composition/violin double major, studying with Konstantin Batashov and Vladimir Ivanov, respectively. Polina earned her Masters' and Artist Diploma in composition at the Yale School of Music with Christopher Theofanidis and Ezra Laderman. Currently, Polina is a Doctorate Candidate at The Graduate Center CUNY under the mentorship of Tania León. Many of Polina’s honors and awards include Charles Ives Scholarship from The American Academy of Arts and Letters and the Paul & Daisy Soros Fellowship for New Americans.

Polina is an Adjunct Lecturer of Composition at Brooklyn College Conservatory and a Teaching Artist at the Educational Center for the Arts in New Haven.

A selection of Polina's music
More of Polina's music
Calendar
2021-22
Jan
5
Moscow Philharmonic
Moscow, Russia
“A Winter Morning" for piano solo
Feb
21
Saugerties Pro Musica
Saugerties, NY
“Songs for Tasya" for piano trio world-premiere
Feb
26
Belarusian Philharmonic
Chamber Hall
“Anticipation, Summer Rain, Remembrance" for piano solo
Feb
28
Belarusian Philharmonic
Minsk, Belarus
“Nostalghia" for piano, clarinet and string orchestra
May
27
Nizhny Novgorod, Russia
Kremlin
“Rondo for our times" for alto saxophone and piano
Jul
10
Bowdoin International Music Festival
Brunswick, ME
“A glimpse of hope" for piano solo
Oct
7
Jaani Kirik
Saint-Petersburg, Russia
“Reverse Perspective" Russian premiere
Oct
8
The Pushkin Museum of Fine Arts
Moscow, Russia
“Reverse Perspective" Russian premiere
Oct
17
Chapel at the First Church Cambridge, MA
“5 Caprices" for violin solo
Oct
23
The Garde Arts Center  
New London, CT
“Fenix" for symphony orchestra
Nov
7
Illsley Ball Nordstrom Recital Hall at Benaroya Hall
Seattle, WA
“Haim" for string quartet, piano, clarinet and narrator
Dec
11
Clemens Center
Elmira, NY
title TBA for symphony orchestra world-premiere
Jan
8
The Mahaffey Theater  
St. Petersburg, FL
“Winter Bells " for symphony orchestra
Jan
9
Ruth Eckerd Hall  Clearwater, FL
“Winter Bells " for symphony orchestra
Jan
27
War Memorial Opera House
San-Francisco Ballet
San-Francisco, CA
“The Rising" ballet world-premiere
Jan
30
Stiefel Theatre for the Performing Arts
Salina, KS
“Fenix " for symphony orchestra
Feb
13
University of Texas
Austin, TX
“Nostalghia" for piano, clarinet and string orchestra
Apr
29
Mordance  
New York, NY
“Encounters" ballet world-premiere
Apr
30
Mordance  
New York, NY
“Encounters" ballet world-premiere
May
8
Chiarina Chamber Players
Washington D.C.
“Haim" for string quartet, clarinet and piano
TBA
Portland Youth Philharmonic
Portland, OR
“Symphony N.1" for symphony orchestra
TBA
TBA
“Tear Down This Wall" world-premiere
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